Frances Mayli McCann as Misa the pop star, who develops a somewhat unhealthy obsession with Kira, has the presence and vocal power to portray a credible star and can certainly belt out as demonstrated during We All Need A Hero, complete with her own backing dancers.
Musically, the style throughout is that of a rock musical, with some big, enjoyable toe-tapping numbers such as Hurricane and Where Is The Justice? However, there is also some relief from the bombast with characterful musical moments such as Ryuk’s own quirky waltz motifs They’re Only Human while other songs are infused with some traditional Japanese influences.
The strength of Death Note’s appeal comes not just from the music, songs or performances, but also in how it stays true to its Japanese heritage. Despite being translated into English, it maintains a style and feel that hasn’t been Westernised, offering audiences an authentic and unique experience.
Anyone with only a passing knowledge of the juggernaut that is Japanese Manga and who hasn’t experienced the various other film or TV adaptations, may wonder if this Death Note is too niche or comic book for them. However, Death Note is an exquisite contemporary noir-fairytale, that is dark and playful with a strong moral message at its heart. An entertaining evening and great introduction to the fascinating world of Manga.