The story itself feels more current that a lot of musicals of that era. The character of Annie is a strong independent woman who knows her own mind and therefore isn’t required to change or have a transformative makeover in order to get her man. As such, SuRie, of 2018 Eurovision fame (the one with the unfortunate stage invasion), is wonderfully cast as Annie. She is kooky, characterful, witty and has great comic timing. It’s a role which could be an annoying gurning carricature, however SuRie manages to strip that back to make Annie someone who you root for, especially when she shows her vulnerable side beneath the bravado.
Vocally, SuRie shines throughout, managing to draw emotions out of songs that you never knew were there. Her range is exquisite. From a suitably sassy belt in You Can’t Get A Man With A Gun to a luscious soft jazz-tinged purr on Moonshine Lullaby, SuRie is a revelation. She has this performer’s intelligence to know exactly when to let the schtick of the role drop and convey Annie’s inner feelings to powerful effect. Somehow, in a blowy outdoor setting, she manages to unfold genuine emotion and tenderness in an affecting I Got Lost in his Arms. In her time, the real Annie Oakley became a Wild West superstar. With this production, SuRie has marked herself as an undoubted West End superstar of the future.