Wickies opens with the arrival of the team sent to find out what’s happened at the lighthouse. The (in-part disputed) real-life journal entries from the time are used at the beginning and throughout, which help to anchor the story and add balance to the flashbacks. Paul Morrissey deftly employs these flashbacks to explore the possible explanations to the events leading up to the wickies disappearing.
With a swirl of coat changes, we go back in time and are introduced to the three wickies at the centre of the tale. James Ducat is the eldest of the three and Ewan Stewart brings a seasoned, if slightly wearied, gravitas to the senior keeper, who has demons from his past which are revealed as the story unfolds. Donald MacArthur, played with wonderful menace by Graeme Dalling, is also an experienced lighthouse keeper with a taste for a drink and a dislike for everyone. He has the kind of temperament that can and ,we are told, does turn easily to violence.
Then there is Thomas Marshall who is the-wet-behind-the-ears ‘bairn’ of the group. A fisherman by trade, Thomas is on his first tour of duty as a lighthouse keeper. We learn about the role of a wickie, along with the history and secrets of island through his eyes, as the others tell him the tragic, ghostly story of the island’s first lighthouse keeper whose daughter goes missing and wife apparently commits suicide. Jamie Quinn offers some fine comedic light relief to the claustrophobic gloom that dominates the piece.