Musically the eclectic minimal score by Joshua Schmidt has echoes of Stephen Sondheim, with some electronica, rock and Chinese influences thrown in. All mix well to set the sophisticated mood of the piece, as well as adding interest and at some points some aural surprises! All the cast are strong singers, with each given their moments to shine. Madalena Alberto dazzles within the constraints of the character, as stubborn, self-assured Maggie and her vocals are beautifully lyrical and earnest throughout. Tim Rogers is also well cast to give Luke a relaxed, self-assured and passionate personality, with surprisingly understated, tender vocals. Joaquin Pedro Valdes has a wonderfully smooth tone to his voice, which is displayed during his song I Ask Why, whilst his character is having an existential scare!
If you’re looking for an all-singing, all-dancing musical, then this probably isn’t for you. Aside from the one dance number, coupled with the minimal score and lots of philosophical dialogue, at times it can sometimes feel like a play with music. The white, post-modern set of steps and platforms give director Jenny Eastop the space and height to portray a variety of locations to great effect and are imaginably lit by Jamie Platt. This is needed to elevate the show and prevent it from becoming too static.
If you looking for a thought-provoking, original and grown-up musical, which offers emotion and heart with a classic “will they, won’t they” romantic trope, then Killing The Cat will delight.