McCabe is a good storyteller and can definitely land a line. Indeed, some of her punchlines are greeted by the kind of audience cheering that would make a rock star proud.
Is she always funny, though? Well, on the evidence of this show, no, not consistently so. Too much of the material is clever without being genuinely amusing. And some of it is rather laboured. (Her take on the differences between the upmarket Balmoral hotel and a Travelodge goes on a tad too long, for example.) The packed audience was split between those who hooted along enthusiastically, but also a good many who sat there rather nonplussed.
McCabe’s style is loud and confident, which works for her, but can also be a little exhausting over a full hour. Her closing piece on political class, however, was more measured and definitely delivered from the heart.
With her star very much in the ascendancy, when she brings the show to the Fringe later this year, it will be a definite ‘hot ticket’. McCabe is a good-natured performer and it’s easy to see her appeal. But with its variable laugh rate, the Merchant of Menace is only firing on half its cylinders.