Amidst all this activity, she has found time to write her tenth Fringe show: Y2K Woman. The premise of the show is that Sooz is looking back to her almost 15-year-old self in 1999 who is looking forward to the year 2000 with excitement but also some fear as the world might also be about to end with the imminent arrival of the much-hyped Millennium Bug. Now almost twenty-five years later, things are feeling strangely familiar to the comedian.
It’s a loose enough framework for Kempner to shoehorn pretty much whatever subjects she likes into the mix while still managing to build to a satisfyingly on-topic conclusion. Fortunately, Kempner has that skill of finding the funny wherever she casts her eye.
Just as the show’s stated mission acknowledges the dichotomy of fear and excited expectation in the future, her tenth show also reveals Sooz Kempner’s push and pull as a comic. She effortlessly mines her Millennium era for laugh-out-loud humour from subjects as random as dado rails, Sky Movies, Jilly Cooper, Lara Croft and a particularly well-observed thread on Napster. The nostalgia of that material feels softer and safe. It offers an easy relatability to her audience.