Lazarus have built up a reputation for their highly visual and vibrant reinterpretations of classic plays. Having tackled several Shakespearean works previously, including Othello, MacBeth (twice), King Lear (twice), it seemed like the Prince of Denmark was long overdue a Lazarus makeover.
From the moment you enter the Large at Southwark Playhouse, you are struck immediately that you can expect something quite different. The auditorium is in end-stage formation. There is no set to speak of. The walls are as exposed as we have ever seen at Southwark. Two banks of lights are either side of a circle of basic chairs. Pictures of the glass skull used on the poster surround the room. This is a very pared back and raw Elsinore.
This production of Hamlet begins with the strikingly young cast assembling around the circle of chairs, forming a sort of group therapy. “Welcome to this safe space” booms a thunderous voice from above, before quoting Polonius’ advice “to thine own self be true”. Each cast member introduces themselves and gives a nugget of insight about their character. Last to speak is Hamlet who launches into the ‘O That This Too Solid Flesh Would Melt‘ soliloquy and we plunge into the play – or at least some of it.