The competition ran incredibly smoothly, with credit to the professional and slick performances from each of the students who didn’t seem in the slightest bit nervous that they were performing on the West End in front of this group of musical titans, as well as the rest of the industry in the audience. There really was not one weak link which made the judges job even more difficult to choose a winner by the end of the night.
Opening the show was Caitlyn Allen of Arts Educational School, and my what an opener. Singing There Won’t Be Trumpets from Anyone Can Whistle, Caitlyn has one of those voices with such purity and consistent tone that it would be pleasure to listen to her in any format, but was her Broadway style belt (seemingly with no break to her voice) that felt like there was no limit to her range, with the power to satisfy a full house at Drury Lane.
Jade Oswald of the Royal Academy of Music delighted the audience with her rendition of On the Steps of the Palace from Into the Woods, playing a cockney Cinderella who has just run away from her Prince at the stroke of midnight. She hit every comedic moment perfectly and acted the song with total conviction. She followed this with her new musical piece Coming to Terms by Christopher J Orton and West End leading man Jon Robyns, which was beautifully sung and perfectly suited to her casting, helping bag her a well-deserved 3rd place in the competition.
Act Two took another step up and we were hit by yet more unbelievably talented young people, but Cassius Hackforth of Trinity Laban Conservatoire was a real highlight in both of his songs. He performed a less well-known Class from Saturday Night with the focus and determination you’d normally only see in the likes of Bernadette Peter’s portrayal of Sondheim’s work, not leaving a single second of his performance to fall flat. His second piece What’ll it be? was sung with the same focus but this time perfectly coloured with true emotion. He is one of those natural musical theatre actors who draws you in and takes you on a journey with complete conviction and embodiment of the character they’re playing. This young man has a wonderful career ahead of him and it was disappointing that he didn’t take home a prize.
Desmonda Cathabel of the Royal Academy of Music hit us all hard at the opening of Act 2 with her somewhat raunchy but perfectly choreographed rendition of The Miller’s Son from A Little Night Music. It was hard to believe she wasn’t a seasoned performer as she brought such a degree of confidence to the stage that you were gripped immediately. Amazing when you discover that Desmonda moved to the UK from Indonesia where there is no formal musical theatre training, and has only spent one year achieving her Masters at RAM. It was clear that not only were both of these songs a great match for her voice, there is so much more to be heard from her in the future, and the judges agreed as she was awarded the winner of the competition. Congratulations Desmonda!