As the pair attempt to tick off each of the said, Mendes-derived, commandments the action bounces rapidly between scenarios. The “actual” show commences with a highly amusing overview of what it’s like to deal with the seemingly-constantly occurring questioning of what it’s like to be a twin. The preconception of the sketch genre being the reserve of upper-class actors is then hilariously dealt with as the McPherson’s endure an AI quiz to assess their level of privilege – being called “Patrick” reduces the score, “Hugo” sends it rocketing again.
Surprise is injected into proceedings when a member of the audience is issued with a plastic rain poncho – to be named “Poncho” from that moment on – only to be escorted from the venue by one of the twins to be exposed to an “immersive, personalised, experience”. Other scenes illustrate, by contrasting both the McPherson and Mendes versions, how much the original vignettes – focussing respectively on Nordic noir, and unrequited romance – have been improved by direction from an Oscar winner (could Mendes really have been involved?…).