Never Mind the Happy: Showbiz Stories from A Sore Winner ★★★★

‘Never Mind the Happy’, Mama, ‘Cause He’s a Big Boy Now

Never let it be said that Marc Shaiman’s scrumptiously fun memoir Never Mind the Happy: Showbiz Stories from a Sore Winner is untrue to its title. Shaiman has had great success composing for films (Sleepless in Seattle, South Park: Bigger, Longer & Uncut, and Addams Family Values) and, with co-lyricist Scott Wittman, Broadway (Hairspray, Some Like It Hot), and is only one letter away from his EGOT. (An Academy Award has thus far eluded him despite seven nominations, and yes, he wants his competitive Oscar almost as much as Diane Warren wants hers.) But even though he’s had his share of glorious wins, those plaudits sit atop a cloud of disappointments that any entertainment career of longevity will entail, and he’s now generously sharing tales of his successes and failures lest anyone think it’s all been caviar, roses, and crooners.

Each battle scar comes with its own story, and as he recalls his adventures, he names names. Mostly. (One actress — “Briana Moonglow” — who stole the band charts he wrote for her nightclub act without paying him, remains a tantalizing secret.) The list of divas he’s collaborated with is impressively long — Barbra Streisand, Carol Channing, Whoopi Goldberg, Mariah Carey, Raquel Welch, and Harry Connick Jr., among many others — and the anecdotes are so tasty it’s hard to read one and not keep going. The standout: the chapter in which he recounts hosting a party where a tripped-out Stephen Sondheim embarrassed himself so much that he asked Shaiman not to tell anyone the details until after his death.

 Shaiman has had decades-long working relationships with Bette Midler (starting when he was just 17!), Billy Crystal (those brilliant Oscar medleys), and Martin Short (Martin Short: Fame Becomes Me), so each gets at least a chapter apiece. Among the Broadway shows, Hairspray deservedly gets the most copy, and it’s fascinating to discover how two beloved songs from that show — “(The Legend of) Miss Baltimore Crabs” and “I Know Where I’ve Been” — almost got the knife.

 It’s rare to say this of any book, but Shaiman has so much material to write about that one wishes Never Mind the Happy were actually — brace yourselves — longer. Shaiman’s been very publicly chagrined about the state of Broadway these days, especially since the wonderful Some Like It Hot closed at a loss. And as the shows that got mixed reviews — Catch Me If You Can, Charlie and the Chocolate Factory and last season’s Smash — all came and went quite quickly, it invites curiosity about his behind-the-scenes take on why those productions struggled.

But let’s be thankful for what Shaiman has delivered. In the book’s epilogue he writes that “…Show business was what I was made for, and it has been a hell of a ride.” For a few hundred pages, he takes his readers along for that ride, and the resulting excursion is an absolute delight. So run and tell that.

It’s super, thanks for asking ★★★★ 4 stars

PRODUCT INFORMATION

Publisher: Regalo Press (January 27, 2026)
Length: 288 pages
ISBN13: 9798895652244
Hardcover 9798895652244
List Price $30.00
Published by Regalo Press
Distributed by Simon & Schuster

Author Profile

The Recs RDC - Randall David Cook