There’s a saying: it takes a star to play a star. In Erin Armstrong, they’ve found a superstar! Her portrayal of Lena will take your breathe away. The subtlety she invests into the transformation of Lena’s physicality from young and healthy to older and very unwell is extraordinary. As if the role wasn’t enough of a challenge, the part needs to evoke the singing talent of Zavaroni. Armstrong doesn’t simply mimic the trademark growl and the belt, she finds a way to get under the skin of the lyrics and convey a unique emotional reading of the song. While Where Do I Begin is all nuance and warmth, If My Friends Could See Me Now is tinged with sadness and loneliness. The line “Traipsing around this Million-dollar chicken coop” feels particularly bittersweet.
It’s hard to convey how Armstrong nails the show’s final song – Neil Sedaka’s Going Nowhere. From bell-like clarity to impassioned belt, this is not merely an emotional showstopper but suggests a defiant reminder of Lena the singer, and not “tragic Lena”.
The show wisely avoids appointing blame in any one direction. Certainly her manager and agent Dorothy Solomon (played with icy calculation by Helen Logan) who took young Lena to London to make her a star is in the frame. Incapable of understanding parental responsibilities or duty of care, she sees Lena only in terms of career goals and not the needs of a child. The intention behind Solomon’s many pernicious comments about Lena’s weight is to keep her client at the top. It isn’t even a consideration what effect this might have on an impressionable young woman.
There is something of a twisted fairy tale about Lena but the poignancy in the script comes from the moments of optimism and happiness. There are so many sliding door moments where if just one of many choice had been made differently, things might have turned out differently. There’s a line in the play that sends a chill through the audience. When it is suggested that Lena “could be the next Karen Carpenter”, there’s an audible shudder, in recognition how this has happened to performers before and after Lena.
Lena is evocative, emotional, brutal and joyous all at the same time. With a level of staging that you’ll struggle to find elsewhere at the Fringe, a versatile live band and a set of powerhouse performances from the entire cast, we have a recommendation for you: if you go to see one show this Edinburgh Fringe, make it Lena!