Lash ★★★★

The dexterity on display in Stokes’ script is never less than impressive and is frequently dazzling. Soundbites and soliloquies all collide as reflections on what it means to be both a man and a hedonist in a post-pandemic and post-Brexit world are offered. The set and sound design by Craig Lomas brilliantly capture the adrenaline rush Sonny is restlessly seeking. 

If there’s one criticism here, it’s that it’s sometimes a little difficult to keep up. While you’re still absorbing one element of the narrative, you can miss another. This can be a little exhausting rather than thrilling. But maybe that’s the point. A night out like Sonny’s would take in both, and everything in-between. 

Of course, a one-man play rests and falls on the strength of the lead actor. Jack Stokes, winner of Theatre Weekly Award for Best Solo performer at last year’s Fringe, is note perfect for the entire hour, reaching an emotional conclusion as he faces down his mortality, his wasted opportunities and that relationship with his father. 

Stokes’ committed and bold performance powers this exhilarating examination of lad culture, ensuring that Lash is well worth going out out for.