Firedance employs two live singers – Paige Brooklyn Cook and Sandy Grigelis – to augment the show’s musical backing. Cook is somewhat of a rock banshee, with a vocal delivery that would make a foghorn seem subtle. Grigelis’ imagined rock star persona doesn’t find the distinction between confidence and smugness. Collectively they exude a vibe that is part Eurovision semi-finalists, part midweek cruise-ship entertainment and a cheesiness to rival a Parmesan wheel.
As backing singers to the performance you might be able to zone out and concentrate on the dance, creative producer / director Stuart Glover takes the foolhardy decision to put this pair front and centre at every opportunity. There would be some logic if the singers were utilised between dance numbers to allow costume changes or for the dancers to catch their breath. But no – Glover has them perform in front of the dance performance – at one point completely obscuring Karen and Gorka’s routine!
It feels as if the director doesn’t trust the dancing to be entertaining enough for audiences so has demanded that Cook and Grigelis “energise” the crowd with irritating regularity. The folly of this was highlighted in the finale where Cook told an already-standing audience to “get on your feet…oh you are”. The singers take up so much stage time foregrounded, it feels that you’re at a concert you haven’t signed up to see.