What a great crop of films especially compared to last year’s entirely forgettable slate. How to choose!
Belfast – as we mentioned in Best Director, although a handsome film with loads of heart, not sure how much impact it has made on American audiences.
Coda – a film with wit and the added appeal of representing the deaf community on the big screen, it seems a very strong contender – but Sian Heder’s omission for Best Director does raise a question mark over its support.
Don’t Look Up – Netflix’s apocalyptic black comedy seems to have been released so long ago, it feels as if it has faded from the forefront of voters’ minds.
Drive My Car – three hours long but without the impact of something like Parasite, it’s a rank outsider.
Dune – lavish, epic, visually engulfing and cinematic but it’s half a movie. Part 2 might have more of a chance.
King Richard – while Will Smith will almost certainly scoop Best Actor, the film itself is a little too authorised, unquestioning of the Williams family story.
Licorice Pizza – the Marmite choice. For what it’s worth, I don’t like marmite.
Nightmare Alley – vastly underrated, this is a glamorous, super stylish, atmospheric take on a pulpy-noir. The box office failure probably will ruin its chances.
The Power of the Dog – a beautiful, evocative but sedate-paced and rather hollow tale. While Campion is likely to like Best Director, we reckon it’ll be runner-up to Coda with the Academy splitting the honours.
West Side Story – did it piggyback too heavily on the shoulders of the 1961 movie or can lightning strike twice? Again a poor box office probably has limited its reach.